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“It changed
my life. There’s nothing like performing. It’s an
all-consuming art-form, and it’s impossible to do this well
if you’re not in love with doing it,” said Mendrinos, now
39.
Mendrinos’ wife, Leighann Lord, is also a comedian, and
the South Ozone Park couple recently returned from the
Montreal Comedy Festival, where Lord spent the week
performing and Mendrinos publicized his new book, “The
Complete Idiot’s Guide to Comedy Writing.” The book is the
latest in the popular series that uses experts to teach
regular people how to program computers, fix a car and learn
American History.
Mendrinos was approached by the series’ editors and given
a three-month deadline to, essentially, lay out a road map
for breaking into standup performing and sitcom writing. He
woke up every day at 6 a.m. to write so he could
simultaneously fulfill his regular duties, which include
performing and occasional television work. Lord provided
tips and plenty of Diet Pepsi, and 90 days later the text
was done.
When asked what “The Complete Idiot” would first need to
know about comedy writing, the veteran comic said that most
jokes develop from an emotional connection to the material.
Successful comedians build an emotional relationship with
the audience—and the best ones exploit it for guffaws.
“You have to build something to make people laugh. There
has to be an emotional trigger. It’s a very primal art form.
It’s not something people think about. It has to be
accessible to the audience and have an emotional
undercurrent. If you don’t have that, you won’t get a laugh.
Everything else is built upon that,” he said.
The book helps the reader “develop instincts and mine
comic gold,” but Mendrinos still called it a “foundation
book. It can’t teach talent. You need to bring that to the
table yourself.”
The husband-and-wife team, who perform separately, have
been bringing their talent to the table for 32 combined
years. Lord, a South Jamaica native, remembers the day she
told her father, Lee Lord, that she wanted to be a standup
comedian.
Expecting a rebuke, she got support. He was ecstatic. “I
don’t know how many parents are thrilled that their children
want to do standup,” she said.
She also remembered her first performance, at Manhattan’s
The Comedy Shop, at 11 p.m. on March 31, 1992. The date
rolled off her tongue like a one-liner.
So does praise and affection for her husband, whom she
has known professionally for years and who she married three
years ago at Our Lady Queen of
Martyrs Church in
Forest Hills.
“He’s very smart, very funny, and he knows the business,
and what he talks about. And he’s a nice guy. I’m incredibly
proud and the book makes other people proud too,” she said.
Lord, “in her early 30s,” recently travelled to London to
tape a performance for Comedy Central’s “World Stands Up”
program which will air September 10th. She, like many
professional comedians, leads a quasi-itinerant existence.
She has performed in 45 states and completed a USO tour of
Afghanistan, Saudia Arabia, Pakistan and Oman in 2002.
She is both a stand-up comedian and a monologist, but she
said she cannot go more than a month without performing
stand-up before she gets anxious to sling jokes again. “I
can’t even wrap my head around stopping, even for a little
bit. I’d miss doing standup.”
She will perform at Queensborough Community College in
Bayside on August 5th for New York’s Bravest Night of
Comedy, where firefighters and professional comedians raise
money for a scholarship fund for deceased FDNY members.
Lord’s father is a retired FDNY firefighter.
Mendrinos will perform at the Queens Borough Public
Library in October, where the New York City Underground
Comedy Festival will hold five nights of comedy throughout
the borough. For now, he’s working on a new television
project and hawking his book. That’s a far cry from his
starving artist days, when putting food on the table
required taking most of the jobs he was offered.
Now he can pick and choose his assignments, and the book
is the latest step forward on the journey that began in
September 1983. “Through the years it has been a constant
struggle. When you pay your bills through art, it’s
difficult to say no to something. But if I didn’t start
saying no to things, I would not have gotten good gigs.”
Even a complete idiot could understand that. |